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  1. He wields a spiked club with both hands and wears a two-horned helmet. Nicely adorned with a large triangular nose ornament and double-lobed ear ornaments. At the top is a wide strap handle and tapered spout. An expressive and sizable example that displays dramatically. The surface is nicely burnished and there are light deposits present, mainly in the crevices. Intact with some minor paint enhancements, otherwise complete and original. See Lapiner's "Pre-Columbian Art of South America", page 205 for other examples of Nazca figural miniatures. 5 — Costa Rica 500 AD - 800 AD A greater Nicoya Peccary effigy vessel dating to Period VI. Polychrome painted in cream and black against an orange-red background. An elegant form with rounded bottom, curving upward to a stepped shoulder and topped by a wide, flared spout. It depicts a male figure seated on a square stool and is holding his extra-large, exaggerated phallus that forms the pouring (drinking) spout. Louis Art Museum Collections" for a very similar example and additional info. 3.5" x 4.5" 0 — Peru 900 AD - 1350 AD A rare Ica (Ika) aryballos from southern coastal Peru. The Storm God is shown here in the typical fashion with googled eyes, ear spools, large fangs and split tongue. Each side of the vessel shows two nicely detailed, mythological figures in battle; all carved in high relief. A fine example with considerable amounts of painted slip remaining. These Inca examples are all of similar shape and made of hammered copper. Ample deposits present; a few small areas of white caliche encrustation on one side. The main body is spherical, two large nodes (probably highly stylized birds or bird heads) protrude from the base of the handle on each side. — Peru 100 AD - 400 AD Two Antara (pan pipes) from the southern coastal region of ancient Peru. The upper section is an elaborately embellished dome. The top spout is painted in a checkerboard pattern and has two pierced lugs which would have been used to secure a lid. The vessel has a flat bottom, the body is rounded and topped by a realistically sculpted head and a wide flared spout. 5 — Costa Rica 300 AD - 700 AD A large and exceptional Costa Rican tripod vessel from the Diquis region. The smaller olla (3" tall) has geometric painted decoration, raised nodes on the shoulder and is intact. At the top are two tapered spouts and an arched stirrup handle. A crack that ran from the bottom and partially up the side has been restored with light paint touch ups, otherwise it is intact and original. The surface is highly burnished blackware and has a straight spout, typical of the period. 5 — Costa Rica 800 AD - 1200 AD A collection of nine (9) stone tools from Costa Rica's Nicoya Zone. The larger two are blackware, the smaller is orangeware with some fire clouding. A well executed and classic example of Wari artistry. This massive vessel was likely used for food or water storage or in the fermentation of corn beer known as "chicha de jora". 60" in circumference NOTE: This item is for pick-up only. I would much prefer it be picked up, although I would consider delivery within a reasonable distance. — Ecuador 100 AD - 500 AD Three Bahia vessels from the Coastal Manabi Province, Ecuador. Displays nicely on a custom metal display stand which is included. Displays beautifully on the custom metal display stand that is included as shown. Incised lines and dots under his eyes are tears; symbolic of rain as he is the provider of (precious) water for his peoples and their crops. 7" tall x 5" across 0 — Ecuador 1000 AD - 1400 AD A Manteno grayware pottery vessel from ancient Ecuador. 5 — Costa Rica - Panama 1000 AD - 1500 AD A trio of large Tarrago olla-form vessels from the border area of Costa Rica and Panama (Diquis Zone) dating to the Chirique Phase, Period VI. Standing proudly with arms to his sides wearing a long tunic (poncho) that flares outward at the knees. The larger vessel is — Panama 600 AD - 800 AD A Cocle terracotta pedestal bowl from ancient Panama. Both arms are raised, one hand holding a small rattle, the other hand is open with what appears to be a 'waving' gesture. It features a seated shaman atop four conjoined globular chambers, all painted with linear and spiral designs typical of Lambayeque pottery. The tapered spout has been reattached with the break restored. Minor surface wear, dings and scratches along with light deposits consistent with age. Each section is separated by red, black and purple borders surrounding mythological 'dragons'. The practice of inhaling hallucinogens was critical to the shamans of Pre-Columbian times. A small shard is reattached and restored along the slit. Minor restoration to both hands and the headdress of the figure. For a similar example see page 130, Image 278 in Rebecca Stone-Miller's "Seeing With New Eyes" - Highlights of the Michael C. A portion of the head and a small section of the lower blade has been reattached with breaks restored. Approx 11" across x 3" tall 5 — Peru 300 AD - 600 AD Two rare Moche rattles; one spherical, the other cylindrical. Each is pierced for suspension and were likely worn as pendants or clothing ornamentation. The low, wide bowl has a stepped edge with two rows of incising all around supported by three pointed hollow legs.